Wolfgang A. Mozart escribió el “Ofertorio Benedictus sit Deus”, KV 117 para ser ejecutado junto con la "Misa" KV 139 con motivo de la inauguración de la Iglesia del Orfanato de Viena. Su estilo refleja la moda musical vienesa del momento, influida por la música italiana, sin dejar por ello eclipsada su genial personalidad. La primera parte, Benedictus…, está concebida en dos tiempos, con el primero coral en el que debe destacarse el papel de dos trompetas acompañantes; en el segundo tiempo la madera dialoga con la soprano solista acompañados por un fondo de cuerdas y las características trompas mozartianas. En la segunda parte, Jubilate…, vuelve a ser protagonista el coro acompañado por una orquesta en la que brilla el metal. Visto globalmente, toda la obra se desarrolla según la forma de la sonata clásica. La versión es de la Orquesta y Coro del Mozarteum y de la Radio de Saltzburgo bajo la dirección de Ernst Hinreiner.
La segunda obra contenida en el disco es la "Fuga en Do mayor", KV 394, un trabajo en el que Mozart expresa con música su admiración por J.S. Bach. Es obra para gran órgano, de dinámica compleja que exige en el intérprete gran virtuosismo. La interpretación es de Wolfgang Bauer.
Wolfgang A. Mozart scored the “Ofertorium Benedictus sit Deus”, KV 117 to be premiered together with the "Mass" KV 139 in the inauguration of the church of the Vienna Orphanage. The style reflects the local musical fashion of the time under the influence of Italian music. However, this does not eclipse his personal genius. The first part, Benedictus..., is conceived in two sections, being the first one a choral in which the role of two trumpets must be detached; in the second one, calm, the soloist soprano dialogues with the wood accompanied on by a background of strings and the typical Mozartian accents of the horns. In the second part, Jubilate..., the choir is again protagonist together whiz a brilliant orchestra. In a global sight, the opus follows the Classic sonata schema. It is performed by the Orchestra and Choir of the Mozarteum and Radio of Salzburg, the soprano Maria Taborsky, conducted by Ernst Heinreiner.
The second work contained in the disk is the “Fugue in C major”, KV 394, a score in which Mozart express his admiration for J.S. Bach’s music. Is a work to be performed in a great organ, with complex dynamics that need a skillful organ player. The version is by Wolfgang Bauer.
Catálogo (Catalogue): Vergara 378-STC
Edición (Edition): 1966
Cara (Side) 1Ofertorio, 1ª parte
Ofertorio, 2ª parte
Cara (Side) 2Ofertorio, 3ª parte
Wolfgang A. Mozart scored the “Ofertorium Benedictus sit Deus”, KV 117 to be premiered together with the "Mass" KV 139 in the inauguration of the church of the Vienna Orphanage. The style reflects the local musical fashion of the time under the influence of Italian music. However, this does not eclipse his personal genius. The first part, Benedictus..., is conceived in two sections, being the first one a choral in which the role of two trumpets must be detached; in the second one, calm, the soloist soprano dialogues with the wood accompanied on by a background of strings and the typical Mozartian accents of the horns. In the second part, Jubilate..., the choir is again protagonist together whiz a brilliant orchestra. In a global sight, the opus follows the Classic sonata schema. It is performed by the Orchestra and Choir of the Mozarteum and Radio of Salzburg, the soprano Maria Taborsky, conducted by Ernst Heinreiner.
The second work contained in the disk is the “Fugue in C major”, KV 394, a score in which Mozart express his admiration for J.S. Bach’s music. Is a work to be performed in a great organ, with complex dynamics that need a skillful organ player. The version is by Wolfgang Bauer.
Catálogo (Catalogue): Vergara 378-STC
Edición (Edition): 1966
Cara (Side) 1Ofertorio, 1ª parte
Ofertorio, 2ª parte
Cara (Side) 2Ofertorio, 3ª parte
